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Marion van den Akker started her study at the age of 16. She studied at the Sweelinck Conservatory in Amsterdam with Erna Spoorenberg. After her leaving-examination she further followed master classes, made possible by scholarships, with a.o. Henk Smit, Nicolai Gedda, Brigitte Fassbaender, Josephine Veasey and Italo Tajo. This led to successes with interpretations of a.o. Verdi's Requiem, Brahms 'Alto-Rhapsody' and Mahlers 'Lieder eines fahrenden Gesellen'. As opera-singer she sang at the Nationale Reisopera, the 'Opera of Giessen' (Germany), the 'Opera Festival Stia' (Italy) and at the Vlaamse Opera (Flemish Opera) in Antwerp. She made her debut with the Nederlandse Operastichting on February 14, 1982 in the role of Rosina in Rossini's opera 'Der barber of Sevilla'. Marion van den Akker was also to hear with the Operastichting as Pamina, 1983 (Magic Flute, Mozart), Dido (Dido and Aeneas, Purcell), Carmen (Bizet), Cherubino (Le nozze di Figaro) and Dorabella (Cosi fan tutte, Mozart). Besides she gives regular lieder-recitals. Recently she appeared as Prince Orlovski ( a travesty role) in 'Die Fledermaus (2001). |
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Marion van den Akker cooperated as soloist together with conductors as Gennadi Rozjdestvenski, Henry Lewis, Jean Fournet, Hartmut Haenchen, Edo de Waart, Yakov Kreizberg, Hans Vonk, Reinbert de Leeuw, Marc Soustrot, Claus Peter Flor, Kenneth Montgommery, Aldo Cecatto, George Pehlivanian, Muhai Tang, Neal Stulberg and Marc Foster. In the orchestra reperoir she sang a.o. Mahler's Lieder eines fahrenden Gesellen, Kindertotenlieder and Das Lied von der Erde, Verdi's Requiem (Palais des Beaux Arts in Brussels), Beethovens 9th Symphony under Claus Peter Flor, the Missa Solemnis under Marc Soustrot, the Stabat Mater of Rossini and Dvorak in the Concertgebouw in Amsterdam and many Passions of Bach. Contemporary repertoire: Chamber music:
Discography: home page: Marion van den Akker |
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(p) 2005 Dutch Divas |